Today at SIGGRAPH 2014, Laika is presenting a session about the making of their upcoming stop motion feature The Boxtrolls and among the presenters is Brian McLean, the studio’s Director of Rapid Prototyping. During a recent trip to Laika’s Portland, Oregon-based studio to visit the set of Boxtrolls, Cartoon Brew chatted extensively with McLean (pictured below) about the revolutionary introduction of the 3D printer into the stop motion production pipeline. Continue reading…
Japanese tissue manufacturer Nepia pays tribute to nature’s forests in this beautiful animated short in which origami animals made of tissue take the stage.
I had the great honor of meeting Mr. Pojar while studying in the Czech Republic last summer. The mechanics of his puppets are stunning and ingenious and his animations heartfelt. I thought that Cartoon Brew had a nice compilation of his work (shown below), so please take a moment and enjoy.
One of the giants of 20th century animation, Czech animator and director Břetislav Pojar, died last Friday evening [link to story in Czech newspaper]. He was 89. After studying architecture in college, Pojar started his animation career in the early-1940s. He was among the first group of artists to work at the state-run Studio Bratri v triku in Prague. There, he met Jiří Trnka, and in the mid-1940s, he left with Trnka to start a new animation studio. Pojar became Trnka’s key animator on numerous puppet shorts in the late-1940s and early-1950s, including Story of the Bass Cello, The Emperor’s Nightingale, and Old Czech Legends. Even after Pojar became a director, he continued to animate on Trnka’s later films like A Midsummer Night’s Dream. Continue reading…